magine
being marooned 140 million miles away from Earth, with almost no chance of
survival. Perhaps, having only yourself for companionship is made even more
terrifying if you are a character from a recent Ridley Scott film, as you’ll
probably be thoroughly uninteresting company.
The
Martian, adapted for the
screen by Drew Goddard, is based on the novel by Andy Weir. I was sceptical of
this much-loved bestseller being adapted into the latest Sci-Fi movie from
Ridley Scott. However, unlike Prometheus, in which the most
compelling character was a monotone android, The Martian has
more in common with the director’s earlier masterpieces.
Perhaps
due to great source material, it stands beside the likes of Alien and Blade
Runner because you care about the characters. Although compared with
Scott’s previous Sci-Fi works, the film has a much more optimistic tone – an
almost utopian view of space exploration peppered with disco music.
Our
hero, (Matt Damon), through vlog-esque status updates, provides intimacy and
humour to a film which had potential to become another humdrum Hollywood
CGI-fest. It avoids the dry technical specifics of the novel, managing to find
just the right balance between science and heart.
Weir’s
hero (and his colourful use of language) is toned-down for the 12 certificate,
but Damon delivers a performance that is solid, although perhaps not
remarkable. He portrays Watney with dry wit and calm resourcefulness, keeping
us rooting for him. Even the characters on Earth, attempting to rescue their
stranded comrade while battling a PR nightmare, for the most part provide an
engaging backdrop to Mark’s struggle for survival.
However,
the film is not without tired tropes. We could have done without Donald
Glover’s uninspired contribution as the coffee-slurping nerd astronomer. And
the eye-rolling way scientists pause dramatically mid-sentence to have a ‘eureka!’ moment
would feel more appropriate in a children’s cartoon. There were also times when
the overly expository captions and dialogue felt uncharacteristically
dumbed-down.
Despite
these flaws, The Martian is what a big-budget blockbuster
should be. Featuring great cinematography and set-design, it is a nail-biting,
well-paced, lovingly-made film.
It
celebrates the kind of hero that deserves celebrating: Mark is a hero not
because he saves the day with muscles, lasers or explosions. He is a hero
because he is a genius, a Botanist using his ingenuity, all the while winning
our hearts as a charming everyman who needs to “science the shit out of
this!”
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Thursday, 1 October 2015
Film Review: The Martian (2015)
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